Your PC May Not Be So Personal Anymore

I’ve just seen something that’s left me speechless (if it’s true). It’s a news report from Russia Today about a trade agreement that the Obama administration is apparently working on. The bottom line is that it would give the government the authority to search your computer without a search warrant.  Government agents would be allowed to check your computer (or any other personal electronic devices) for unauthorized copyrighted works and arrest you if any were found.

Here’s the full video from Russia Today.

[youtube]http://www.youtube.com/watch?v=V44bYL0udQ0[/youtube]

If this is true, then the ACLU should be all over it. But since they’re in the tank for Obama, I don’t see that happening.

H/T: Gateway Pundit

World’s Largest Record Collection

Paul Mawhinney began collecting records (for you kids out there, a “record” is a flat disc you put on a “record player” in order to hear music) 60 years ago. He now has over 1,000,000 records and his collection is worth millions. But he’s put the collection up for sale due to declining health and other reasons.

Here’s a short video about the collection:

[youtube]http://www.youtube.com/watch?v=xWyMjzVXq7Y[/youtube]

I don’t know why someone like Paul McCartney wouldn’t buy this. This collection needs to be kept intact.

Raising Sand, Redux

Well over a year ago, I wrote about the collaboration between Robert Plant and Allison Krauss, two artists that couldn’t be more different.

They’d just released a collaboration called Raising Sand. It had all the earmarks of a great project: two incredible vocalists and an incredible producer in T Bone Burnett.

But to me, the music wasn’t up to the abilities of the vocalists. It seemed like the music just laid there and didn’t do anything.

I guess someone somewhere liked it, at least enough folks in the Recording Academy at least. It won a total of five GRAMMYs the other night: Record Of The Year, Album Of The Year, Best Pop Collaboration With Vocals, Best Country Collaboration With Vocals, and Best Contemporary Folk/Americana Album.

I’m sorry, but I just don’t get it. The songs are just awful. Burnett, Plant, and Krauss could have picked much better songs. With all the talent here in Nashville, there’s really no excuse to record such lousy songs. And then to win not one but five GRAMMYs?

I’m here to say that this emperor has no clothes.

Jacob Moon

Since the title of this blog came from a song by Webb Wilder, I think I’m going to try to start blogging more about music. So, here’s a video of a song that was originally done by Rush on their Signals album (yeah, I have the vinyl album). But this guy, Jacob Moon, does a very interesting cover of the song, called Subdivisions.

[youtube]http://www.youtube.com/watch?v=W4vd9OVLO7Q[/youtube]

Webb Wilder and Webbfest 2008

Webbfest III was last weekend. Unfortunately, we didn’t go this year. They decided (last year) to have it in Asheville, NC this year, and in what turned out to be some major lack of foresight, it’s in the middle of fall color season there. So, all the hotels are either booked or are too expensive.

I’m not sure why they decided to have it in Asheville, but they made the decision last year during Webb Fest. The previous two had been held in Knoxville. I was always puzzled as to why they didn’t have it here in Nashville. It’d make it cheaper for the organizers (no hotel/motel/travel bills for the band), plus it’d make it more likely that other former Beatnecks could make it to the show. Ah well.

We did get to see Webb and the band play last Saturday night at 3rd & Lindsley. It was a really incredible show, and Webb did a few new songs, and some old songs that he hadn’t played live in a while (“Hoodoo Witch”, “Ruff Rider”, and the namesake of this blog, “Loud Music” come to mind). His new guitarist, Bob Williams, did and incredible solo on “Jimmy Reed”, one of the best I’ve heard in a long time.

Looks like Webb is not playing in Nashville again until after Christmas, so this show will have to do us for a while.

Webb Gives Me A Shoutout

I took a group of folks to 3rd & Lindsley Saturday night to see Webb Wilder. We were celebrating my birthday (which was actually last Thursday). I’d requested, via the Webb Board, that Webb play TCB Yodel #9. That’s the first Webb Wilder song I ever heard him play. It was on a local late night comedy show on Channel 4 back in the late ’80s. He and Shane Caldwell were on the show, and he sang that song and I thought it was the funniest thing I’d ever heard.

Anyway, he did sing it, and kychopperfamily on the Webb Board recorded it and posted it on YouTube. Here it is in all its glory:

He also sang, at Brenda’s request, Miss Missy From Old Hong Kong. Here it is:

All in all, it was a great show. George Bradfute played along with Tony Bowles on guitar, and their synergy is amazing.

The Next Great Nashville Band

The producers of American Idol had a little free time, and decided to find out who the next great American band would be, so naturally enough they created a show called The Next Great American Band. It’s been airing on Fox on Friday nights for the last couple of months (and Friday night is a horrible night for this show; it should have been on on Monday or Tuesday).

Anyway, it’s similar to Idol, in that you have a dozen performers (in this case, bands), three judges, a host, and the American telephone-voting public.

Friday night was the penultimate episode, and the final three are bands called Sixwire, Denver and the Mile High Orchestra, and The Clark Brothers. What I find the most interesting is that the bands came from all over the country: California, New York, Chicago, Philadelphia, Detroit, Florida, and Nashville. And the three finalists are all from Nashville.

The Clark Brothers are by far the best of the three (they’ve been the band to beat from day one). Sixwire is good as well. While Denver and the Mile High Orchestra isn’t quite my cup of tea, their musicianship is top notch. The funny thing is, living here in Nashville, I’ve never heard of any of them.

My prediction for next week’s finale is that the Clark Brothers will win, followed by Sixwire, with Denver and the Mile High Orchestra coming in third. I’m not sure this show has enough of a viewership to propel one of these groups into Carrie Underwood stardom, but it should be enough to get at least the Clark Brothers (two of whom used to play with Underwood) noticed.

Honorable mention goes to Cliff Wagner and the Old #7, a bluegrassy band from California, who got booted off way too early.

I’d like to see this show come back next year. From the outset, the talent was top notch; you didn’t hear any sour notes from anyone. It always amazes me how bad some of the final four or five sing sometimes on American Idol. The producers didn’t play any silly games by highlighting bad auditions, and and the series didn’t drag on for months and months showing auditions.

My favorite show in this genre still has to be Nashville Star, since those performers are also expected to write music and to some extent play an instrument. That’s partly what made The Next Great American Band interesting to me; the bands were allowed to play original music. American Idol should take a cue from Star and Band and allow their performers to sing original songs at some point during the competition.

So, next week is the season (or series?) finale. Good luck to The Clark Brothers.